When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.

Here's an interesting thing about L.A. - it's overrun with black widow spiders. I could find you one on the street in 10 minutes.

I get involved with projects based on three parameters - the script, the actors involved and the director.

I always pick what I consider to be good scripts.

I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.

If you pay a little bit of attention to something, and then let it go, and then come back to it, and then pay a little bit of attention to something, that's nice and healthy.

Television is face acting, and film is eye acting.