You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business.

How can you have a director that doesn't go to work with the crew every day and talk to them?

You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business.

There's about 260 rooms in the new castle which you go through, but it's all about the game play.

If the machines can take the drudgery out of it and just leave us with the joy of drawing, then that's the best of both worlds - and I'll use those computers!

Basically the children who watch it just see the little characters they love, and so they're not discerning about whether it looks great or it's a great story or anything.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.