Actual space is intrinsically more powerful and specific than paint on a flat surface.

In the summer there are twelve cottonwoods around the pool, which in the winter become an elevated thicket. There is also a courtyard with a small garden of plants that stay green all year. The winter is bleak. This place is primarily for the installation of art, necessarily for whatever architecture of my own that can be included in an existing situation, for work, and altogether for my idea of living.

Most art is fragile and some should be placed and never moved away.

In terms of existing, everything is equal.

I think most of the art now is involved with a denial of any kind of absolute morality, or general morality.

Any combining, mixing, adding, diluting, exploiting, vulgarizing, or popularizing of abstract art deprives art of its essence and depraves the artist's artistic consciousness. Art is free, but it is not a free-for-all.

Art and architecture - all the arts - do not have to exist in isolation.