What can I tell you about things like Circus of Horrors except that I get killed by the bear?

The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.

I'm hardly physically right for the hero parts, now am I?

Loomis has always felt himself responsible for the fact that he did not stop Michael when he first murdered his sister, and so he's got that guilt to live with.

Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.

The process of building a part doesn't really stop.

What can I tell you about things like Circus of Horrors except that I get killed by the bear?