I think people have a tendency to read into more than there is.

The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.

Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.

Loomis has always felt himself responsible for the fact that he did not stop Michael when he first murdered his sister, and so he's got that guilt to live with.

I do not use any set methods, not even The Method. The character after all is in the lines.

What can I tell you about things like Circus of Horrors except that I get killed by the bear?

I do think the story in Halloween 5 is a bit stupid, and there's a lot more blood. They're obviously going to take the Halloween series in a different direction.