The humor I came up with is, for the most part, a bit crude or guttural, and many people aren't going to get it or enjoy it, but some do, and that means a lot to me - to know that I made someone laugh.

It's very easy for me to feel sympathy for people who are messed up. It's not that I'm a pseudo-saint or a great person. I had a lot of trouble with drugs and alcohol when I was younger, and I know how easy it can be to mess up the rest of your life. One bad turn, one bad night, one big mistake, and everything is screwed up. Or maybe you were just born in the wrong house and raised in a bad way. I guess I can understand.

I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.

I don't think I'd call [mood] a major force, but it is important as far as hitting the right notes or nuances with a character or scene.

I started going to Ohio University when I was in my mid-thirties, ended up with an English degree when I was forty.

Look, girls don't care how many push-ups you can do. They just want to get high and wear flowers in their hair. Maybe steal a car.

I really have no idea what the French think of my characters, or why The Devil All the Time did so well there.