For example, if it's a sad scene, I need to feel that way, at least to a slight degree and for a short while, to get it right. Which is why I sometimes listen to music when I'm revising. Music creates moods for me quicker than any other medium.

I was always a big reader, even when everything was bad and miserable.

When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.

When I turned fifty, I decided to quit the mill and go to graduate school.

It depends on what your dream might be, as to whether or not it's still possible when you're, say, fifty or sixty. You won't ever pitch for the big leagues, for example. But I believe anyone, regardless of age, can write if he or she is willing to do the work, and I'm talking about spending at least an hour or two at it almost every day for five to ten years.

You're always hoping you can attract a bigger audience, but at the same time, I'd hate to give up what I write. If I could write Chick Lit or something like that and make money off it, that'd be great. But I just can't do it.

I spent thirty-two years in a paper mill in southern Ohio, and before that I worked in a meatpacking plant and a shoe factory.