I remember a class I taught at Ohio State where I assigned a Mary Gaitskill story, which really wasn't that bad, and I had this one girl refuse to read it. But better that reaction than no reaction at all.

The biggest influence on my writing, besides snagging some ideas about black humor, was that the paper mill had a program where they paid 75 percent of the tuition and book [costs] for employees who wanted to go to college part-time.

I don't really think the outburst is recent; there have always been writers in Appalachia.

A lot of people get the wrong impression, think there's something romantic or tragic about hitting bottom.

I took a correspondence course with a guy at Ohio University. He gave me ten exercises, and one of them resulted in the story "Bactine." It pleased me a lot more than anything else I'd ever done, so I kept messing around and by the time I got to Ohio State I'd written maybe eight stories.

There are a lot of writers from the South who would probably have once figured they needed to go to New York to make it who have stayed closer to home - people like David Joy, Tom Franklin, Sheldon Lee Compton, Wiley Cash, Mark Powell, and Alex Taylor.

Michael Koryta is an amazingly talented writer, and I rank The Prophet as one of the sharpest and superbly plotted crime novels I've read in my life.