I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.

I do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.

It was really just the name that inspired me: Rainsboro. It's located near Rocky Fork State Park. I have probably driven through that little place a thousand times, but, in that weird way my mind works sometimes, one particular evening it just hit me the right way, I guess. Created a mood more than anything else. And then I started thinking about a woman and her young son who end up there.

I took a correspondence course with a guy at Ohio University. He gave me ten exercises, and one of them resulted in the story "Bactine." It pleased me a lot more than anything else I'd ever done, so I kept messing around and by the time I got to Ohio State I'd written maybe eight stories.

I really have no idea what the French think of my characters, or why The Devil All the Time did so well there.

I think some people at Doubleday worried about that a bit when Knockemstiff came out, but, with the exception of one or two people who complained that I didn't do justice to the many good people who lived in the holler, most of the local objections have been aimed at the violence and foul language.

When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.