I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.
Donald Ray PollockReligion can be a good thing, but basically the way I look at it is that it provides a moral code, common sense. But then people distort it and use it as an excuse to be a bully. It's sad, but that's the way it's worked for a several thousand years now.
Donald Ray PollockI do believe the world is a pretty sad, troubled, and violent place. Maybe that's why I focus on the trouble. Even though there are good people and good things, there's also a bunch of messed up stuff. And I learned early on, you have to have some trouble in your stories. I definitely go overboard on that, but I have a lot more fun writing about the trouble.
Donald Ray PollockWhen I first started out, I was trying to write stories about nurses and lawyers and a lot of people I didn't know anything about, and they just weren't working.
Donald Ray PollockWhen I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there.
Donald Ray Pollock