Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.

Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all.It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.

My novels aren't really generated by a single conceptual spark; it's more a process of many different elements that come together unexpectedly over a long period of time.

If he had his wits about him Bunny would surely keep his mouth shut; but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.

It's funny, but thinking back on it now, I realize that this particular point in time, as I stood there blinking in the deserted hall, was the one point at which I might have chosen to do something very much different from what I actually did. But of course I didn't see this crucial moment for what it actually was; I suppose we never do. Instead, I only yawned, and shook myself from the momentary daze that had come upon me, and went on my way down the stairs.

Any action, in the fullness of time, sinks to nothingness.

Actually, I enjoy the process of writing a big long novel.