We looked at each other. And it occurred to me that despite his faults, which were numerous and spectacular, the reason I’d liked Boris and felt happy around him from almost the moment I’d met him was that he was never afraid. You didn’t meet many people who moved freely through the world with such a vigorous contempt for it and at the same time such oddball and unthwartable faith in what, in childhood, he had liked to call “the Planet of Earth.

Clearly something had gone wrong, badly, only I wasn't quite sure what—apart from knowing that I was responsible somehow, in the generalized miasma of shame and unworthiness and being-a-burden that never quite left me.

As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train. 'I don't want you to leave,' I said. 'I don't want to, either.' 'Then don't.' 'I have to.' We stood looking at each other. It was raining. She looked at me with her rain-colored eyes. Camilla, I love you,' I said. 'Let's get married.

Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?

I'd always rather stand or fall on my own mistakes. There's nothing worse than looking back, in a published book, at a line edit or a copy edit that you felt queasy about and didn't want to take, but took anyway.

When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.

She closed her eyes, dark-lidded, dark shadows beneath them; she really was older, not the glancing-eyed girl I had fallen in love with but no less beautiful for that; beautiful now in a way that less excited my senses than tore at my very heart.