Every job in Hollywood is a risk. You don't know, when you sign a contract, if something is going to pop, you don't know whether this or that network is going to support your show. You just show up and do the best work you can do, gravitate towards the best material, you know, and try to make the right choices. And the rest of it is a roll of the dice.

Producing suits me because I have a business mind and a business sensibility.

I love food shows: Anthony Bourdain, Iron Chef, Chopped, you name it.

In my freshman year in high school, I went to the only public high school in Boston with a theatre program.

At the core of these movies, Saw One and Saw Two, it's a very real situation. A guy cheats on his wife and didn't value what he had. It's the same thing in my story. Being a dad and playing someone whose last words to his son were 'go to hell'. I say to my son, the last thing I say is 'I love you'.

There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well

For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.