In high school, I was one of the cofounders of New Kids on the Block my freshman year in high school. But I also started studying theatre in high school my freshman year as well. So throughout high school, I was actually doing both.

You can't dictate if a character's going to come off as sympathetic to an audience. I just tried to play it as honest as possible.

If I wanted to connect like I do now, I'd have to write 500,000 letters, get 500,000 stamps, send them out and wait for them all to come back. This stuff is instantaneous. I can see if someone is having a bad day and send them a smiley face and have an effect on them. It's fun, but it's also a very powerful thing.

To me it is harder to play a real person, but when you do it and you feel good about it and the person feels good about it, I think that's doubly rewarding. So the challenge is greater, the risk is greater, but the reward is greater as well.

The food in Europe is pretty disappointing. I like fried chicken. But other than that Europe is great.

We're entertainers, while people want us to be gods.

I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.