In high school, I was one of the cofounders of New Kids on the Block my freshman year in high school. But I also started studying theatre in high school my freshman year as well. So throughout high school, I was actually doing both.

Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.

When you grow up in a city like Boston, where I grew up, a lot of kids became criminals or cops. I never really had a bad take on cops other than I hate when there's one behind me on the highway.

I wish I was a guy who could have pancakes and bacon and cheesy eggs, but I'd curl up and pass out. I gotta start healthy or I'll be off the rails all day.

If I wanted to connect like I do now, I'd have to write 500,000 letters, get 500,000 stamps, send them out and wait for them all to come back. This stuff is instantaneous. I can see if someone is having a bad day and send them a smiley face and have an effect on them. It's fun, but it's also a very powerful thing.

I don't want to speak for everyone, but I think it really picks up where the other film left off. It's true to the format. A lot of times, sequels get overblown for the sake of doing it. Even in the trailer, 'there's eight people in the house', that's just the worst thing you can promote in a sequel. Two people, now there's eight, it's like Jurassic Park with the dinosaurs playing video games.

To me it is harder to play a real person, but when you do it and you feel good about it and the person feels good about it, I think that's doubly rewarding. So the challenge is greater, the risk is greater, but the reward is greater as well.