For me, shooting, editing, and scoring rely on rhythm.
Bruce is the man. He was definitely ahead of his time.
Still, as much as I wish Ballistic Kiss could be a better film, the recognition it gained from critics and at festivals speaks for itself.
I've always been in a rebel.
Like any other actor, I draw on life experience.
I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.