I guess I'm pretty lucky because in childhood I studied so many martial arts styles and I never stopped researching them, my body is very adjustable and I can turn into different expressions with my body.

It takes years of building that experience as a filmmaker, as well as physically. You have to have a high level understanding of martial arts.

I'm a very emotional guy.

A period film, where you, for example, where you have a traditional wardrobes, you are bound to act a certain way. But in a modern film, a lot of body gesture.

For me, shooting, editing, and scoring rely on rhythm.

There is also a strong following among the urbanites on the East Coast when it comes to martial arts films.

As an action director I always try to bring something fresh and new.