For me, shooting, editing, and scoring rely on rhythm.

An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.

I've always been in a rebel.

Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.

I think action movies bring more excitement than tears, but I always want to take it to another level. I mean I think if one appreciates anything in life to a certain degree, it could possibly bring tears to your eyes.

For years, I looked to Bruce Lee as a mentor as being a Chinese and Asian man living in this country.

For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.