Having a book is somewhat like having a baby, as many woman writers have observed before me: the conception, the long preparation, the wait, the growing heaviness (not of body in this case but of the spirit and the manuscript) toward the end, the initial delight at the sight of the product, fully formed and seemingly perfect, and then the usual postpartum depression. What will people whose opinion I care about, and those whose views I don't value but have weight in the world of reader, think of it?

Praise requires constant renewal and expansion.

Talk uses up ideas. Once I have spoken them aloud, they are lost to me, dissipated into the noisy air like smoke. Only if I bury them, like bulbs, in the rich soil of silence do they grow.

Writers are entirely egocentric. To them, few things in their lives have meaning or importance unless they give promise of serving some creative purpose.

A hand up is worthier than one's own fist grasping a higher rung of the ladder.

The reason that extended solitude seemed so hard to endure was not that we missed others but that we began to wonder if we ourselves were present, because for so long our existence depended upon assurances from them.

Searching for the self when I was entirely alone was hazardous. What if I found not so much a great emptiness as a space full of unpleasant contents, a compound of long-hidden truths, closeted, buried, forgotten. When I went looking, I was playing a desperate game of hide-and-seek, fearful of what I might find, most afraid that I would find nothing.