For she was of that generation who, having found nothing in religion, had formed themselves through literature.

The whole process of writing is a setting at a distance. That is the value of it - to the writer, and to the people who read the results of this process, which takes the raw, the individual, the uncriticized, the unexamined, into the realm of the general.

A story is how we construct our experiences.

What women will say to other women grumbling in their kitchens and complaining and gossiping or what they make clear in their masochism is often the last thing they will say aloud - a man may overhear. Women are the cowards they are because they have been semi-slaves for so long.

Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are twenty rabble-rousers whose real motive is desire for power over others. The fact that they see themselves as antiracists or feminists or whatever does not make them any less rabble-rousers.

Time and distance from the first and second world wars doesn't seem to lessen their horrors.

I hated the 1960's feminists," she says. "They were dogmatists, you see. In comes ideology, and out goes common sense. This is my experience of life.