Paradoxical as it may seem, to believe in youth is to look backward; to look forward we must believe in age.

In the world it is called Tolerance, but in hell it is called Despair...the sin that believes in nothing, cares for nothing, seeks to know nothing, interferes with nothing, enjoys nothing, hates nothing, finds purpose in nothing, lives for nothing, and remains alive because there is nothing for which it will die.

To the average man, life presents itself, not as material malleable to his hand, but as a series of problems...which he has to solve...And he is distressed to find that the more means he can dispose of-such as machine-power, rapid transport, and general civilized amenities, the more his problems grow in hardness and complexity....Perhaps the first thing he can learn form the artists is that the only way of 'mastering' one's material is to abandon the whole conception of mastery and to co-operate with it in love: whosoever will be a lord of life, let him be its servant.

There is only one kind of wisdom that has any social value, and that is the knowledge of one's own limitations.

The business of the artist is not to escape from his material medium or bully it, but to serve it; but to serve it, he must love it. If he does so, he will realise that in its service is perfect freedom.

It was left for the present age to endow Covetousness with glamour on a big scale, and to give it a title which it could carry like a flag. It occurred to somebody to call it Enterprise. From the moment of that happy inspiration, Covetousness has gone forward and never looked back.

Advertising never sold a bad product twice.