Wimsey stooped for an empty sardine-tin which lay, horribly battered, at his feet, and slung it idly into the quag. It struck the surface with a noice like a wet kiss, and vanished instantly. With that instinct which prompts one, when depressed, to wallow in every circumstance of gloom, Peter leaned sadly against the hurdles and abandoned himself to a variety of shallow considerations upon (1) The vanity of human wishes; (2) Mutability; (3) First love; (4) The decay of idealism; (5) The aftermath of the Great war; (6) Birth-control; and (7) The fallacy of free-will.

Still, it doesn't do to murder people, no matter how offensive they may be.

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

And heresy is, as I have tried to show, largely the expression of opinion of the untutored average man, trying to grapple with the problems of the universe at the point where they begin to interfere with his daily life and thought.

To subdue one's self to one's own ends might be dangerous, but to subdue one's self to other people's ends was dust and ashes. Yet there were those, still more unhappy, who envied even the ashy saltness of those dead sea apples.

The war has jerked us pretty sharply into consciousness about this slug-a-bed sin of Sloth, and perhaps we need not say too much about it. But two warnings are rather necessary.

I gather that he nearly knocked you down, damaged your property, and generally made a nuisance of himself, and that you instantly concluded he must be some relation to me.