Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

Death seems to provide the minds of the Anglo-Saxon race with a greater fund of amusement than any other single subject.

When cats sat staring into the fire they were thinking out problems.

The dogma of the Incarnation is the most dramatic thing about Christianity, and indeed, the most dramatic thing that ever entered the mind of man; but if you tell people so, they stare at you in bewilderment.

It is as dangerous for people unaccustomed to handling words and unacquainted with their technique to tinker about with these heavily-charged nuclei of emotional power as it would be for me to burst into a laboratory and play about with a powerful electromagnet or other machine highly charged with electrical force.

Work is not primarily a thing one does to live but the thing one lives to do. It is, or it should be, the full expression of the worker's faculties, the thing in which he finds spiritual, mental and bodily satisfaction, and the medium in which he offers himself to God.

Still, it doesn't do to murder people, no matter how offensive they may be.