Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

Unless we do change our whole way of thought about work, I do not think we shall ever escape from the appalling squirrel-cage of economic confusion in which we have been madly turning for the last three centuries or so, the cage in which we landed ourselves by acquiescing in a social system based upon Envy and Avarice. A society in which consumption has to be artificially stimulated in order to keep production going is a society founded on trash and waste.

The trouble is. . .that everybody sneers at restrictions and demands freedom, till something annoying happens; then they demand angrily what has become of the discipline.

If we did not know all His retorts by heart, if we had not taken the sting out of them by incessant repetition in the accents of the pulpit, and if we had not somehow got it into our heads that brains were rather reprehnsible, we should reckon Him among the greatest wits of all time. Nobody else, in three brief years, has achieved such an output of epigram.

Death seems to provide the minds of the Anglo-Saxon race with a greater fund of amusement than any other single subject.

To know one's own limitations is the hallmark of competence.

When cats sat staring into the fire they were thinking out problems.