In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.

I had just come off doing a lot of commercials when I did Go, so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane.

It's almost a work-shopping process to create the characters with the actors.

It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.

The movie I end up with is the movie I aspired to make.

I'm a character-driven director, and I tend to fall in love with the characters in my movies and TV shows.

Nothing I've done is like anything else I've done before.