This idea that there is generality in the specific is of far-reaching importance.

In fact, a sense of essence is, in essence, the essence of sense, in effect.

We create an image of who we are inside our self. The image then becomes very deeply entrenched, and it becomes the thing that we attribute responsibility to - we say "I", "I" did this because "I" wanted to, because "I" am a good person or because "I" am a bad person. The loop is the fact that we represent our selves, our desires, hopes, dreads and dreams: it is the way in which we conceive of ourselves, rather than the way we conceive of Mount Everest or of a tree. And I say it exists entirely in the loop: the self is an hallucination hallucinated by an hallucination.

. . . all meaning comes from analogies.

What is an "I", and why are such things found (at least so far) only in association with, as poet Russell Edson once wonderfully phrased it, "teetering bulbs of dread and dream" - that is, only in association with certain kinds of gooey lumps encased in hard protective shells mounted atop mobile pedestals that roam the world on pairs of slightly fuzzy, jointed stilts?

For 13 to be unlucky would require there to be some kind of cosmic intelligence that counts things that humans count and that also makes certain things happen on certain dates or in certain places according to whether the number 13 'is involved' or not (whatever 'is involved' might mean).

In the end, we self-perceiving, self-inventing, locked-in mirages are little miracles of self-reference.