With a novel, no matter where I am in it, I'm fretting about it. Every time I write a book, it starts with great forward momentum. Then there seems to be a period where it slows down a bit, and other things intervene. Then I gain momentum.

The only time you truly become an adult is when you finally forgive your parents for being just as flawed as everyone else.

Success is a very fragile veneer. I get wary of people who embrace celebrity. It ruins people.

But what we can never do is change the story that has made us what we are. It's a story completely dictated by the accumulation of life's manifold complexities—its capacity for astonishment and horror, for sanguinity and hopelessness, for pellucid light and the most profound darkness. We are what has happened to us.

There were moments when I felt seriously unhinged; when I was convinced that I would never, ever recover from what had happened, when it was absolutely clear to me that life from this point on would be constant agony.

I want to be a popular novelist who's also serious, or a serious novelist who's also very accessible.

I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.