We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.

There's a rebirth that goes on with us continuously as human beings. I don't understand, personally, how you can be bored. I can understand how you can be depressed, but I just don't understand boredom.

People like Johnny Depp are an exception. He is the current model of what an actor should be. His body of work speaks volumes. He was so under-rated for so long, but he will have longevity - and it is such a gratifying thrill to see he is finally getting the recognition he deserves.

I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.

There's nothing that I love more than predawn. I'm with the dogs, I make coffee, and there's no one up.

Tom [Courtenay] and Albert Finney met Ron Harwood on the dresser, so that's how it started. It's a wonderful documentary. It's called Tosca's Kiss and Mr Hardwood told me about it when I asked him what the genesis was. It was made in 1983 and Verdi, who was rich and successful, toward the end of his life decided to build a mansion for himself in Milan, where he lived, and he stipulated that when he died opera singers and musicians - because he knew so many who were no longer playing at the Scala and some were poor - could live there.

Myth is supposed to bring us together, but fantasy alienates us.