So when I told my parents I wanted to go into acting because I was flunking out of my first year of junior college, they were relieved that I had picked something other than joining the army. But I can't imagine how they had high hopes for me.

I walked out of the theater and started crying. My wife asked me, 'Why are you crying?' I said, 'Because I can't do that.' I didn't know how he did it. I've never seen anything like that. It's like this feat, this Rodin sculpture to me. It's like hearing an opera singer and the tears go down your face because it's not human what they're doing. It's like sounds of heaven.

We all believe what we read. I read how Tom Cruise and I were two big egos holding up shooting. I know that isn't true - but if I wasn't making a movie with him and I just picked up the paper, I'd believe it. That's interesting, isn't it?

I don't believe in hell. I believe in unemployment, but not hell.

We need to band together as a unit every day, especially to conquer the strength of the AIDS virus.

I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.

Poverty is not dated. Homeless people have looked the same since the thirteenth century. Go back to the times of Tolstoy and Dostoyevsky. Look at photographs. It's amazing. The face on a homeless person is timeless.