Why make a biopic if it's not somehow helping us now? There's really no point. If it's not informing how we can do things differently now and maybe not repeat our mistakes, than why do this piece about this person or this event?

People from pre-sexual revolution and even from the 60s and the birth of the gay movement still define gay as two men or two women having sex. Our generation defines it from a more emotional standpoint. To be gay means you are drawn to the same sex. But it's a part of who you are, an identity, not an act.

If you're a history buff, you know about J. Edgar Hoover. He was likely the most powerful man in the US. If you start reading about him, the books contradict each other constantly. I was often left with very little sense of the man personally. I had a sense of what he did and didn't do and what people disagreed about whether he did this or didn't do this or that, but I was like, "Why? Why was he doing all of this?" That was my big question.

To me, you couldn't write a character like J. Edgar Hoover and have it be believable. I mean, he was a crock pot of eccentricities. We couldn't even fit all his eccentricities into [ the same named] movie.

I'm always interested in getting to know people, and that means vilified people as much as those celebrated. You find out that heroes aren't always so heroic, and villains have some bit of humanity in them.

I don't have to sympathize or empathize with a human being in order to be able to portray them. I mean, some of the greatest roles that actors have been able to play haven't been the most endearing on screen.

Why make a biopic if it's not somehow helping us now? There's really no point. If it's not informing how we can do things differently now and maybe not repeat our mistakes, than why do this piece about this person or this event?