When I was a kid at four years old, that's when I started amateur wrestling with my dad and family. And when that's instilled in you, it never goes away.

You've got to keep your finger on the pulse of what your audience is thinking and know what they'll accept from you.

In business, you take a swing and you hope that you hit a home run, but sometimes you strike out. Strikeouts and failures are important. Being down, getting punched in the gut every once in a while by life and coming back up, that's accomplishment.

The fans of our industry are extremely savvy. At the end of the day, they understand the business is a work. It's entertainment, nothing more.

When I was a kid, I was always enamored by - I appreciated the movies, and I was able to see them on VHS when I was a kid, but I was so enamored by the one-sheets and the posters. I had them in my room when I was a kid.

I've been fortunate to have had the life I had prior to Hollywood. I wasn't starving, I was going to eat the next day. I came to Hollywood wanting a career that had longevity, and I wasn't afraid to take risks because I had a dollar in the bank. I wasn't driven by money as much as I was driven by making a successful transition. And I was smart enough to know that I certainly didn't have all the answers and I needed to surround myself with smart people and be willing to take risks and be willing to fail.

Around 2010 - I took a long look at everybody I had around me because I wanted to make sure they were aligned with how I felt. I'm not ashamed of who I am or where I came from or the size God gave me. There was a large percentage of people who weren't [on the same page]. So I really shook up my team.