I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it...I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth...This is I, the machine, manoeuvering in the chaotic movements, recording one movement after another in the most complex combinations... Thus I explain in a new way the world unknown to you.

We cannot improve the making of our eyes, but we can endlessly perfect the camera.

The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is!

I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it...I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth...This is I, the machine, manoeuvering in the chaotic movements, recording one movement after another in the most complex combinations... Thus I explain in a new way the world unknown to you.

Our eyes see very little and very badly – so people dreamed up the microscope to let them see invisible phenomena; they invented the telescope...now they have perfected the cinecamera to penetrate more deeply into the visible world, to explore and record visual phenomena so that what is happening now, which will have to be taken account of in the future, is not forgotten.

It is far from simple to show the truth, yet the truth is simple.

Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction.