I would really rather feel bad in Maine than feel good anywhere else

new york provides not only a continuing excitation but also a spectacle that is continuing.

In dialogue, make sure that your attributives do not awkwardly interrupt a spoken sentence. Place them where the breath would come naturally in speech-that is, where the speaker would pause for emphasis, or take a breath. The best test for locating an attributive is to speak the sentence aloud.

Safety is all well and good: I prefer freedom.

Reading is the work of the alert mind, is demanding, and under ideal conditions produces finally a sort of ecstasy.

Delay is natural to a writer. He is like a surfer-he bides his time, waits for the perfect wave on which to ride in. Delay is instinctive with him. He waits for the surge (of emotion? of strength? of courage?) that will carry him along.

And then, just as Wilbur was settling down for his morning nap, he heard again the thin voice that had addressed him the night before. "Salutations!" said the voice. Wilbur jumped to his feet. "Salu-what?" he cried. "Salutations!" repeated the voice. "What are they, and where are you?" screamed Wilbur. "Please, please, tell me where you are. And what are salutations?" "Salutations are greetings," said the voice. "When I say 'salutations,' it's just my fancy way of saying hello or good morning.