I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.

I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.

He [Earl Scruggs] was really cool because he was very quiet, and he wouldn't say much, but then he would come out with a quip that was like so perfect and so brilliant, very smart.

It's made a lot of people richer from hearing Earl Scruggs. And I just think we're all very lucky to have him in the world.

Earl Scruggs is the guy who really made that leap with using three fingers in a rotating fashion to create this fast rippling sound that had never been heard before.

I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.

Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.