If you don't let things develop, it's like keeping something in a bag and not letting it out to fly

I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.

I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.

Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.

I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.

He [Earl Scruggs] was really cool because he was very quiet, and he wouldn't say much, but then he would come out with a quip that was like so perfect and so brilliant, very smart.

Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.