I also know that I have represented for us a certain kind of journalist and for me over the years when an older Black person comes and tells me how proud they are of me and the way I represent us on television, or when a younger person says to me, 'Hey Mr. Gordon, I watched you growing up and my parents made me watch you,'.

We've had now eight years and there's this prideful sense among many African Americans. When you think about how elated they are when they see the First Lady on magazine covers or when she is out doing her thing. There just this pride our community has had for eight years now. When that goes away, I jokingly said it, but I do think there's going to be a bit of withdrawal.

I also want to do stories that I think are not brought to television that often that our community talks about.

I want to find those stories that we may talk about at the barbecue or when we're playing bid whist or with our cousins watching TV, but you don't see it on television. Certainly it's perspective.

We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?

You will meet their children through their eyes. One of the most poignant moments is when I asked each to describe the moment they found out their child had been killed. So this is a very personal side to each one of these mothers ["Mothers of the Movement"].

One of the things that EBONY [magazine] has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.