I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.

I'm glad to always have that connection to a part of the country that doesn't really have anything to do with what I do. That said, there seems to be a lot of production drumming up in Atlanta these days. It would be kind of a dream come true to go back to Atlanta to work on a movie, but we'll see what happens.

I went to Oberlin College, and they don't have a film major, but they do have what's called an individual major, where you can sort of pitch to a committee your own course study, and if they approve it, you have essentially just designed your own major. So Oberlin doesn't have a film major; they do have a film minor... And then my spring semester of my junior year, I went off to NYU film school as a visiting student - they have a program for kids from other schools to come in for a semester.

There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.

Improvisation is about finding the best joke or the silliest way to get something across. Improvising conflict is always fun because you can just go for it.

We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.

Todd [Phillips] doesn't care. That's part of his genius as a director, he will say anything to anybody.