People who grew up in New York City or Los Angeles tend not to even understand what goes on in the rest of the country. I'm really glad to have grown up in an environment where I actually was kind of a weirdo because I was obsessed with comedy and movies and stuff.

I'm the worst in The Office. It's a problem. They've had to shut down the set for like 30 minutes because of me.

There are certain relationships in our lives that implode, and it can feel really inexplicable and terrifying. You don't know why, and sometimes relationships end for reasons that one person keeps from the other person, and it's just totally unclear, and it just goes south and it's heartbreaking.

I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.

Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

I've always been into toys and kits and models. I'm kind of a toy nerd.