When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe. And I think that's a really dangerous, limiting mindset.

You make adjustments according to the specifics of the character.It's something I feel like a lot of my comedic heroes have always done. It's not even necessarily vulnerability, always, but it's an earnestness, a genuine desire to actually do the right thing, but then still make really misguided, stupid decisions along the way.

People who grew up in New York City or Los Angeles tend not to even understand what goes on in the rest of the country. I'm really glad to have grown up in an environment where I actually was kind of a weirdo because I was obsessed with comedy and movies and stuff.

I'm glad to always have that connection to a part of the country that doesn't really have anything to do with what I do. That said, there seems to be a lot of production drumming up in Atlanta these days. It would be kind of a dream come true to go back to Atlanta to work on a movie, but we'll see what happens.

I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.

As much as you do get beat-up doing even small action sequences, it's incredibly fun.

I'm sort of laughing and so Zach [ Galifianakis] started laughing [on the set of The Hangover]. And Todd [Phillips] was baffled because what we were saying wasn't that funny, you know what I mean? And it was like all the baby's face. So Todd was like, 'What is going on? Get it together guys.'