Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.

There are certain relationships in our lives that implode, and it can feel really inexplicable and terrifying. You don't know why, and sometimes relationships end for reasons that one person keeps from the other person, and it's just totally unclear, and it just goes south and it's heartbreaking.

A lot of kind of like the way that Andy [Bernard] talks, you know, the writers pick up on those things - little moments that I inject and then they start to write it in later. It's hard to say if a whole storyline is spun out of an improv. I feel like it has happened on The Office, I just can't think of it.

When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe. And I think that's a really dangerous, limiting mindset.

I cannot stress this enough - if you try to install an HDTV in a non-HDTV compatible house, you may tear the space-time continuum.

When I was 15 I lost a tooth and had an implant put in. Cut to 20 years later, I'm doing this part [Andy Bernard] and the script calls for my character to lose a tooth.

I'm sure I cause just as much consternation for editors as any other actor, it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.