I'm making music for music's sake, and I have an audience I'm proud of.

I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.

It’s a song about first relationships and letting go. It’s very rare for a relationship to withstand the Earth’s gravitational pull and where it’s going to take people and how they’re going to grow. I’ve heard it said that you can’t really have a true love unless it was a love unrequited. It’s a harsh one, because then your truest one is the one you can’t have forever.

It's the ones without scars - those are the people you have to watch out for.

You have to be able to grow and move with the organism that is the music industry. You need to maintain flexibility. Ownership of your own stuff is key and then you're able to dictate on a present-terms basis what would be the most effective way to protect yourself and what you've created. You also don't want to lock yourself into a situation where a major label owns part of your touring and merchandise.

I've never been a calm, midrange type person.

I think a lot of things are written from experience, but then you become a writer and talk about other people's experience and you tell stories. I mean, you can't just tell your own story all the time.