When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.

The most profound, tangible influence in my life has been my wife, Monique. I don't know that I would even be alive were it not for her, and I certainly would not be the person that I am today.

I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.

When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.

Music is very spiritual, it has the power to bring people together.

There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.

I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.