Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget.

Hot Fuzz in a strange way, for me, summons up the spirit of watching R-rated films that I was too young to watch. I was 14, 13 maybe, when Robocop came out. Seeing Robocop at my brother's friend's house, and not really supposed to be watching it, because it was [rated] 18 and I was 13. That mind-blowing experience, because not only is it a great film, but it feels illicit.

It's funny, my agent came up to us and said, "That line, when Nicholas says, 'I'm gonna bust this thing wide open,' what film's that from?" I said, "I think it's from every film." It's just like you get into that kind of mode of generic dialogue, it's fun to do.

I think it's good to have pressure on yourself. The worst crime is to get kind of really complacent.

I call it Inherent Twice because I am looking forward to seeing it again.

There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."

I used to drink a lot of lager when I was younger, but I'm more of a wine drinker now, I guess. I feel daunted looking at full pints.