The editing process, to use a slightly grim analogy, is like the slow suffocation of lots of babies. It's like, which finger do you want to cut off first?

The editing process, to use a slightly grim analogy, is like the slow suffocation of lots of babies. It's like, which finger do you want to cut off first?

There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."

I call it Inherent Twice because I am looking forward to seeing it again.

I came from another county. I spent 15 years in Wells, but I was treated like an outsider. It was like, "Oh, you're not local."

In a weird way, riffing on genres is kind of a reaction to formula. When you watch so much of the programmers and the films that you just think you've seen before, it's kind of going back to the well in terms of trying to conjure up the spirit of what made you excited about films in the first place.

It's funny, my agent came up to us and said, "That line, when Nicholas says, 'I'm gonna bust this thing wide open,' what film's that from?" I said, "I think it's from every film." It's just like you get into that kind of mode of generic dialogue, it's fun to do.