But you, you foolish girl, you have gone home to a leaky castle across the sea to lie awake in linen smelling of lavender, and hear the nightingale, and long for me.

[on going to Sunday school:] It looks like rain, and I hope it will rain cats and dogs and hammers and pitchforks and silver sugar spoons and hay ricks and paper-covered novels and picture frames and rag carpets and toothpicks and skating rinks and birds of paradise and roof gardens and burdocks and French grammars before Sunday school time.

I am not a tentative person. Whatever I do, I give up my whole self to it.

And reaching up my hand to try, I screamed to feel it touch the sky.

Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink.

Spring TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.

And what are you that, missing you, I should be kept awake As many nights as there are days With weeping for your sake? And what are you that, missing you, As many days as crawl I should be listening to the wind And looking at the wall? I know a man that’s a braver man And twenty men as kind, And what are you, that you should be The one man in my mind? Yet women’s ways are witless ways, As any sage will tell,— And what am I, that I should love So wisely and so well?