Art employs method for the symmetrical formation of beauty, as science employs it for the logical exposition of truth; but the mechanical process is, in the last, ever kept visibly distinct, while in the first it escapes from sight amid the shows of color and the curves of grace.

Let youth cherish sleep, the happiest of earthly boons, while yet it is at its command; for there cometh the day to all when "neither the voice of the lute nor the birds" shall bring back the sweet slumbers that fell on their young eyes as unbidden as the dews.

Nothing can constitute good-breeding that has not good-nature for its foundation.

In early youth, if we find it difficult to control our feelings, so we find it difficult to vent them in the presence of others. On the spring side of twenty, if anything affects us, we rush to lock ourselves up in our room, or get away into the street or the fields; in our earlier years we are still the savages of nature, and we do as the poor brutes do. The wounded stag leaves the herd; and if there is anything on a dog's faithful heart, he slinks away into a corner.

Could we know by what strange circumstances a man's genius became prepared for practical success, we should discover that the most serviceable items in his education were never entered in the bills which his father paid for.

What, after all, is heaven, but a transition from dim guesses and blind struggling with a mysterious and adverse fate to the fullness of all wisdom--from ignorance, in a word, to knowledge, but knowledge of what order?

In some exquisite critical hints on "Eurythmy," Goethe remarks, "that the best composition in pictures is that which, observing the most delicate laws of harmony, so arranges the objects that they by their position tell their own story." And the rule thus applied to composition in painting applies no less to composition in literature.