Read poems to yourself in the middle of the night. Turn on a single lamp and read them while you're alone in an otherwise dark room or while someone else sleeps next to you. Read them when you're wide awake in the early morning, fully alert. Say them over to yourself in a place where silence reigns and the din of the culture — the constant buzzing noise that surrounds us — has momentarily stopped. These poems have come from a great distance to find you.

There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.

First of all I think that poetry is very noble and I always have with me the sense of the nobility of poetry.

I just think that limits the kinds of experiences that people can have with poetry. But, poetry will survive; I don't worry about that. But, I do think that it may save fewer souls if people can't pay attention.

Now, the process of writing poetry is very messy. Not systematic, never quite the same

And when you are entering into poetry, whatever stage you're at, you are participating in something with a very long and noble tradition.

In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.