And what I've found over time is that for me to write a poem that I think is worthy that I can live with, two things have to happen.

Our sense that things are transient, that everything is passing and then if you want to save something from the endless flux of experience and the world's movement, you have to set down a stake and try and make something that will last.

I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.

It's not important - it's not necessary that you read everything. What is necessary is that you care about things that you read and that you find something that really matters to you and you try and make something like that.

I don't think you can read poetry while you're watching television very well.

I don't have a set schedule to work on poetry at any given time, at the same time every day, but I do try to work on poetry every day and I do find some time every day that I can with some exceptions to work on poetry.

So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.