I trust Winsor and Newton and I paint directly upon it.
In general it can be said that a nation's art is greatest when it most reflects the character of its people.
I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.
The question of the value of nationality in art is perhaps unsolvable.
No amount of skillful invention can replace the essential element of imagination.
In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.