I think that zinc white has a property of scaling and cracking.

Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.

What I wanted to do was to paint sunlight on the side of a house.

The only real influence I've ever had was myself.

I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.

I find linseed oil and white lead the most satisfactory mediums.