I trust Winsor and Newton and I paint directly upon it.

I find linseed oil and white lead the most satisfactory mediums.

I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.

When I don't feel in the mood for painting I go to the movies for a week or more. I go on a regular movie binge!

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.

The question of the value of nationality in art is perhaps unsolvable.

I think that zinc white has a property of scaling and cracking.