On the downside, to paraphrase Thom Yorke talking about the music business, we're still having to deal with the stench of the last fart of the dying corpse of this regressive vision that America is a white, middle-aged, male, conservative country.

When I was about 16 or 17, I had a teacher who took a group of us to the National Theater in Washington, D.C., and I saw Ian McKellen do his one-man show - I think it was called Acting Shakespeare - and it completely bombed me; it put the zap on my brain in a big way.

I read a lot of scripts and so many are clearly a knockoff of one familiar genre or another.

I've observed over and over that people seem to get a much deeper sense of fulfillment out of something they've done as an act of service than out of the things they do for themselves.

I come from a family of conservation activists, and so I've had a strong connection to nature all my life. My father has been a leader within the movement for over thirty years and has taught most of what I know about environmental conservation. While he would always take me hiking, camping, and rafting, he also taught me that the spiritual value of the outdoors alone is not enough to save nature against economic interests.

Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.

Screenplays aren't written to be read, they're written to be made into movies.