I never think that a film should answer questions for you. I think it should make you ask a lot of questions.

For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.

I start to get fixated on a story and a character and an idea, and at a certain point, I really want to do it. It's a compulsion to explore a specific thing, as opposed to a compulsion to direct, generally speaking.

I never even considered comedy genre as something to embrace or move away from.

It's dismaying to see the unilateralism that the government is doing.

When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.

I have this embedded faith in the process through which films of a certain type get discovered on longer timelines.